We are OFK episode 1 called me out but I still want to play more
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We are OFK has a very cool premise. It blends visual novel and biopic notes and is the origin of a band called OFK – their first single Follow/Unfollow debuted during The Game Awards 2020, while the rest of the band’s debut EP It will run for five weeks later this year.
OFK is a real band, although it features virtual members. This is not a case of developer Team OFK making a music-based game and then releasing the soundtrack. The team designed OFK in the same way as other virtual music artists and groups such as Hatsune Miku or K/DA. We Are OFK is a “television” biopic about the group’s four members – pianist Ally Maki, singer/songwriter Luca Lefa (Teddy Dief), and audiovisual artist Carter Furth Lores (Syhaya Aviel) and producer Zhang Jie (Fiona Rene) – it started out as a group.
“[We Are OFK] It started as a game project to tell what we know — a story about people making things in Los Angeles and trying to get things done, with an emphasis on friendship and relationships,” creative director Teddy Dief told me. As OFK frontman Sound, Dief also helms the creative direction of the studio behind the band’s biopic.
“But we don’t want to make games about people making games,” they continued. “It made sense to do music because our producer at the time had a background in the music industry, and she knew the industry well. And I had a vocal background. So we were like, ‘Oh, we can put something we can actually do from a Start working together on a professional music project, not just a traditional video game soundtrack. Like we can actually put together a proper band and tell their stories.”
While We Are OFK started out as a game, Dief hopes this isn’t how most people experience the project for the first time. “The coolest scenario in terms of how we talk about this project and want people to experience it is when people hear the first single on the Spotify app and they’re like, ‘Oh, damn. And there’s a biography of the band film.’ It’s more interesting for us and how we want to relate to people — the band first, the story second.”
This situation isn’t a new concept — there are fictional biopics of many real music artists and bands, like The Monkees and Big Time Rush. As far as I know, this is the first time such a story has been told for a band of virtual characters, and the first time such a story has been told through the lens of an episodic video game rather than a TV series, thereby inviting the audience to participate in the narrative.
I had a chance to play the first episode of We Are OFK, which introduced all four members of the group, but mainly focused on Itumi’s perspective. It’s a very dialogue-driven opener, forgoing blunt presentations in order to drive the action at a convincing pace. I managed to capture the characteristic snippets that briefly appeared at the bottom of the old phone’s text chain before the new message pushed them out of frame, and the dialogue options provided insight into how the characters felt, no matter which option I chose – all rather than detailing them Backstory, it felt like a more natural way to introduce these characters to me. I was rewarded for my attention and not just the details that were instilled in me.
By the end of this episode’s 50-minute run time, I was hooked and longing for more. Episode 1 feels like a great TV pilot, which makes sense considering we’re OFK writer Claire Jia’s history writing for TV — previously, she’s written for Awkwafina Is Nora and Justin from Queens Get off the boat.
In the continuation of this TV connection, We Are OFK was released like a TV series. When the game launches, players will only have access to Chapter 1, and each subsequent chapter will be released on a weekly basis. Each of the five episodes will mark the release of new OFK singles, all of which will debut on digital music storefronts.
“Weekly releases are part of the music,” adds Dief. “Our record label heads and our managers said, ‘You should give them weekly releases — that’s the most efficient way to be on a music platform.’ So it all can be condensed — weekly releases Makes sense for TV and makes sense for song.”
But what about the game itself? Team OFK describes We Are OFK as more of an “interactive experience” than a game, which seems apt based on what I’ve played – it features gameplay moments, but it’s more of a game TV shows with interactive elements.it is Very How everything works on Kentucky Route Zero, albeit with brighter palettes and more family-friendly characters like Life is Strange or Persona.
The story begins in Itsumi, in the midst of an emotional and spiritual downward spiral. With over a decade of experience playing the piano, Itsumi is working hard to succeed in Los Angeles, but she barely makes ends meet on a meager salary working for a game developer, and people don’t line up to make sure she pays for gigs – she’s only received a few quotes, but none brought a major breakthrough. She was exhausted and struggling to find joy in practicing music while her ex harassed her with unsolicited text messages.
Itumi’s struggle is a relatable one – it’s here that the first episode of We Are OFK found its greatest strength, and I hope it will continue throughout the other four episodes of the game. Even if you don’t have any connection to the music industry and don’t know how it works – like me – the story of We Are OFK is still approachable. Its plot is built around easy-to-understand themes, no matter your passion. These people aren’t struggling with celebrity stardom or feeling the pressure of hundreds of pages of contracts – In We Are OFK, Itsumi, Luca, Carter and Jey are grappling with impostor syndrome, heartbreak, those you Unwanted thoughts that should fill your free time with practical productive activities, and what it’s like to turn something you love into a career you need to do to make enough money to live a comfortable life.
“I think these experiences transcend the medium,” Diff said. “My musical background is one of the reasons we do this. It’s like I sing. As far as the writing process goes, we did have a lot of conversations with our producer Mikayla Foote – who came from music and artist management – and then A lot of calls have been established with the two people we work with on the music side, like our songwriters.
“But as often as possible, we go, ‘Hey, what’s it like doing your job, what’s so bad, who makes your job difficult?’ Not like Episode 2 [the characters] Will spend the entire episode in the studio. It’s not actually fun. Most of the time you just sit there.It’s more interesting to focus on what happened before and after [those moments in the studio].” According to Dief, those are the moments when people are more likely to resonate.
They were right – I left the We Are OFK preview feeling like Team OFK researched my own life for inspiration to build the game’s narrative. As I imagine, most people in their 20s to early 30s are likely to pursue careers in writing, music, art, or other creative fields after playing the first episode of We Are OFK. When diving into the difficulties that such a career can be, it certainly doesn’t take a hit – listening to Yihai talk to Carter about why she’s trying so hard to keep practicing the piano (an emotional scene that should have been experienced firsthand), I was a little teary-eyed. ), I nodded understandingly when Luca tried to explain to his friend that he worked for a company that was making him miserable because not only was the salary nice, but it also provided the health insurance he needed.
“There’s no traditional villain because everyone is so flawed and everyone ends up working with each other differently,” writer Claire Ja told me. “Even people we set up to be very innocent or unable to harm others end up revealing themselves to have made mistakes. We just really want it to feel like when you’re working with your friends, it’s usually not a ‘when Where someone does all the wrong things on purpose and is the bad guy, it’s just that sometimes people are incompatible or they don’t have to tell their truth or be vulnerable enough to each other. So this can lead to poor communication. “
Dief added: “I agree with Claire that the interesting conflict is that you’re trying to do something with a group of other people who have their own priorities, needs, projects they want and want and distractions from. thing. This is what creates [conflict] What we actually wanted to talk about. “
Much like a visual novel, most of what you do is choosing how your characters will react to text messages or dialogue. Your decisions don’t change the overall narrative – no matter what choices you make, Episode 1 will always end the same way. But your choices inform the character’s relationship. Each option reflects a different idea in the character’s head – it’s up to you to decide what they actually type/say out loud. This, in turn, will determine how the other characters react.
As mentioned earlier, episode 1 focuses on Itumi, but you also occasionally jump into Luca’s perspective. According to Team OFK, each episode will focus on a different member of the band, but you’ll periodically switch between multiple characters and sometimes even engage in a conversation from both characters’ perspectives.
“We switch perspectives every episode,” Jia said. “Each episode happens chronologically, but we want you to see the events happen through different people’s eyes, even if it’s a game, it’s a series, and we like the idea of this sort of TV-style release structure for you Playing an episode, then waiting for the next episode.
Also, the episode itself is as follows [the passing of time], like the second episode takes place about a week after the first. We want the game to be very realistic. So when you’re playing it, you’re there to live with them. Just as they have to wait, so you have to wait. “
It’s too early for me to say that We Are OFK doesn’t have much in terms of gameplay – it’s probably more of a game than I think. The most interactive and video game-looking part of We Are OFK was also the only aspect I couldn’t try: the music video. Each episode introduces one of OFK’s first five songs, and you can control how the music video for those songs plays. The music videos weren’t ready in the version I played, but I did see how they work in the videos, and Dief describes how each video has different gameplay.
“We did register ourselves to make five additional video games,” Diff said. Unlike most music-centric games, We Are OFK doesn’t test your rhythm or ability to memorize song notes. As Dief describes it, the music video section is designed more around the idea of ”making you feel the music.” You can’t screw up and go into a failed state.
“And the interactions are completely different,” Diff continued. “There’s one where you’re doing a bunch of destruction because it’s like a really aggressive song. There’s one that features little island builders because there’s a creative element to it. But they’re all for fun and make you feel like you’re part of it Music, that’s what this whole thing is about — we’re trying to be, ‘Hey, we’ve got this band and this music, and we want you to be a part of it.'”
Jia added: “We’re definitely trying to get you really involved. [OFK’s] shoe. so…
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